So that counts out my single ended triodes with their ac heaters then... I suggest we don't turn this thread into a debate on whether its possible to measure performance differences of hifi systems using single measurement metrics though as there are many other fora for that...
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2012-06-04, 10:12 #141Senior Member
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2012-06-04, 10:59 #142Senior Member
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2012-06-04, 13:50 #143Senior Member
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That sounds great if you say it fast.
However, in the real world, when I hear someone's "revealing system" after they've told me that's what I'm going to hear, there is nothing predictable about what emerges.
Perhaps you've been blessed to be surrounded by people who use the phrase in a manner consistent with your definition, but that certainly hasn't been my experience. Maybe you should make it your mission to educate the rest of the world on the proper use of the phrase -- there are a lot of people using the term who are ignoring your instructions. ;-)
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2012-06-05, 10:50 #144Senior Member
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no point unless you want a more analogue type sound backed up by empirical testing by about 10 people.
oh well, there must be some other explanation for the difference in sound caused by setting large buffers.
Maybe one day we'll get to understand.
Have you tried larger buffer sizes ?Touch optimisations http://touchsgotrythm.blogspot.co.uk/
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2012-06-05, 11:08 #145Senior Member
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Please read the code (all of which is public) - unless you make a change which impacts the active buffer size all you are doing is creating an expectation of a change - there can be no difference to the actual operation if the parameters you change does not impact the active values. I'm afraid you are hitting expectation bias here...
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2012-06-06, 09:45 #146Senior Member
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2012-06-07, 04:38 #147Junior Member
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With modern equipment such as DACs the signal to noise ratio is likely to be well over 100db which is huge. It would mean I think if the signal was 100db (a rock concert) the noise would be 1db (quieter than a pin dropping and indeed quieter than can be measured) when the ambient noise in a very quiet room is about 20db. In other words there is no way you can hear the noise generated by a resonably good 24 bit DAC or indeed the noise generated by a standard squeezebox touch. and they are all perfectly 'revealing' or 'transparent'.
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2012-06-07, 09:48 #148Senior Member
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I'm not buying your math here. If that were the case, then it would be literally impossible to detect any differences between various PSUs. The thing is that when an electrical audio component operates, it tends to interject certain random noise back into the electrical circuit. If your audio chain is not properly balanced, these tiny electrical noises can feed back and get magnified along the audio chain and then emerge at the other end (i.e. in your speakers) as interference. We've all heard that (the unwanted buzz and the hum), and we've all heard how great the music sounds once we manage to clear up that congestion, if even for a bit.
When we upgrade an audio component and go with a higher quality one, the benefits are mostly in the area of noise reduction. It takes careful engineering and a lot of know-how to be able to tame those pesky little interferences, which explains why is this hobby so bloody expensive.
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2012-06-08, 04:41 #149Junior Member
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2012-06-08, 07:54 #150Senior Member
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