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  1. #1
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    Cool Beatles 24 vs 16 bits...

    Just got my Beatles USB stick. Anyone done ABX testing of 24 bit FLAC vs CD?

    I'm thinking of upsampling a track from remastered 16-bit CD to 24-bits and doing some ABXing myself, any Beatle audiophile can recommend which track is considered of high enough quality that 24 bits can make a difference???

  2. #2
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    Quote Originally Posted by Archimago View Post
    I'm thinking of upsampling a track from remastered 16-bit CD to 24-bits and doing some ABXing myself, any Beatle audiophile can recommend which track is considered of high enough quality that 24 bits can make a difference???
    None.
    I doubt any of the originals was recorded with more dynamic range a 16bit version can offer even after remastering.
    If i read correctly i even wonder why they offer 24/44.1. I doubt they did the remastering at 44.1kHz so they had already processed it inbetween again.
    Of cause they may have treated the master to 24/44.1 different as the master to 16/44.1
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  3. #3
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    There comes me one thing to mind. Mr. Phil Leigh has some interesting findings with throwing everything into an Audio Diffmaker.
    It should be easy to compare 2 files. It also should show what version is louder by nature and may sound different alone due to that.
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  4. #4
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    Quote Originally Posted by Wombat View Post
    There comes me one thing to mind. Mr. Phil Leigh has some interesting findings with throwing everything into an Audio Diffmaker.
    It should be easy to compare 2 files. It also should show what version is louder by nature and may sound different alone due to that.
    I'll look into it. I have the 16 & 24-bit versions of AR and LIB...
    You want to see the signal path BEFORE it gets onto a CD/vinyl...it ain't what you'd call minimal...
    Touch(wired/W7)+Teddy Pardo PSU - Audiolense 3.3/2.0+INGUZ DRC - MF M1 DAC - Linn 5103 - full Aktiv 5.1 system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Pekin Tuner, Townsend Supertweeters,VdH Toslink,Kimber 8TC Speaker & Chord Signature Plus Interconnect cables
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  5. #5
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    Thumbs up

    OK, so I diffed the 24 and 16 bit versions of Come Together.
    First observation: these come from the same digital master. There is zero sample rate difference between them (ie the samples all line up perfectly - not possible if they were from different masters).

    Second observation: the overall null is -82dB (so in 16-bit terms the difference is in the bottom 3 bits). The difference file sounds silent until you give it 50dB of boost - then you can hear broadband noise (hiss) plus the basics of the music itself - you can follow the words!. Interestingly the hi-hats are very clear...

    Looking at the diff file frequency plot, the differences are all below 500Hz or above 15kHz. In between there is little difference.

    Conclusion: the files are very similar but still different. The differences should be audible on good equipment. The differences should manifest themselves at the top end (hi-hats) and possibly in the bass guitar/drums.

    The 24-bit masters are worth having - certainly Abbey Road is.
    You want to see the signal path BEFORE it gets onto a CD/vinyl...it ain't what you'd call minimal...
    Touch(wired/W7)+Teddy Pardo PSU - Audiolense 3.3/2.0+INGUZ DRC - MF M1 DAC - Linn 5103 - full Aktiv 5.1 system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Pekin Tuner, Townsend Supertweeters,VdH Toslink,Kimber 8TC Speaker & Chord Signature Plus Interconnect cables
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  6. #6
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    Quote Originally Posted by Phil Leigh View Post
    Looking at the diff file frequency plot, the differences are all below 500Hz or above 15kHz. In between there is little difference.

    Conclusion: the files are very similar but still different. The differences should be audible on good equipment. The differences should manifest themselves at the top end (hi-hats) and possibly in the bass guitar/drums.
    Second conclusion: the differences you hear are probably nothing more than the artefacts of noise-shaped dither that was added to the 24 bit masters when preparing the 16 bit releases.
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  7. #7
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    Quote Originally Posted by cliveb View Post
    Second conclusion: the differences you hear are probably nothing more than the artefacts of noise-shaped dither that was added to the 24 bit masters when preparing the 16 bit releases.
    Clive - entirely possible - however that means the 24-bit versions are more "accurate"...
    In fact looking again at the frequency plots I am certain you are correct.

    The 24-bit versions have (literally) more music and less noise in them. But we are talking about tiny things here.
    Last edited by Phil Leigh; 2009-12-21 at 01:48.
    You want to see the signal path BEFORE it gets onto a CD/vinyl...it ain't what you'd call minimal...
    Touch(wired/W7)+Teddy Pardo PSU - Audiolense 3.3/2.0+INGUZ DRC - MF M1 DAC - Linn 5103 - full Aktiv 5.1 system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Pekin Tuner, Townsend Supertweeters,VdH Toslink,Kimber 8TC Speaker & Chord Signature Plus Interconnect cables
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  8. #8
    Senior Member lrossouw's Avatar
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    Quote Originally Posted by Phil Leigh View Post
    The 24-bit masters are worth having - certainly Abbey Road is.
    Thanks Phil! I was going to get them as they are somewhat more portable than a big box of CDs (and require no ripping). But now I have an audiophile reason for it to, though I'm unlikely to be able to hear the difference
    Louis
    Last.fm

  9. #9
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    24 bit output

    Hi,

    I've recently bought this too and want to check whether I'm actually listening to it at 24/44.1.

    I'm playing the FLAC files via the the optical output from my Squeezebox Classic attached to my Denon AVR-3805. Will the optical output send 24bit to the amp?

    Thanks,
    Will

  10. #10
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    Quote Originally Posted by w_ellis View Post
    Hi,

    I've recently bought this too and want to check whether I'm actually listening to it at 24/44.1.

    I'm playing the FLAC files via the the optical output from my Squeezebox Classic attached to my Denon AVR-3805. Will the optical output send 24bit to the amp?

    Thanks,
    Will
    Yes. Definitely.
    You want to see the signal path BEFORE it gets onto a CD/vinyl...it ain't what you'd call minimal...
    Touch(wired/W7)+Teddy Pardo PSU - Audiolense 3.3/2.0+INGUZ DRC - MF M1 DAC - Linn 5103 - full Aktiv 5.1 system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Pekin Tuner, Townsend Supertweeters,VdH Toslink,Kimber 8TC Speaker & Chord Signature Plus Interconnect cables
    Stax4070+SRM7/II phones
    Kitchen Boom, Outdoors: SB Radio, Harmony One remote for everything.

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