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2007-10-01, 05:37 #51Senior Member
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2007-10-01, 18:40 #52Senior Member
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2007-10-02, 05:40 #53Senior Member
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2007-10-02, 17:08 #54Senior Member
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Absolutely!
But there is just so much that science and DBT tests (which have been proven inaccurate) can't explain.
If you enjoy it then go for it (placebo or not), but just remember that we are not at the pinnacle of reproduced sound quality yet - recordings sound nothing like the live event.
Science (or anything else) can't explain this as yet, but it doesn't mean we should stop trying to get better sound quality.
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2007-10-02, 17:23 #55
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2007-10-02, 17:48 #56Senior Member
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2007-10-03, 02:54 #57Senior Member
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That's a whole can of worms again. (I recall we discussed this a while ago :-) )
That might be true but the reason is not necessarily red book.
I recall two occasions in my life when a recording has sounded real (absolutely real). One was very recently. On each occasion a CD was playing, which to me indicates the problem in general lies elsewhere (perhaps the recording, mixing or mastering process). Both were recordings of live performances, and I understand in at least one case the recording technique was very simple.
Darren
PS: Neither experience was on my own system, unfortunately!Last edited by darrenyeats; 2007-10-03 at 02:58.
Check it, add to it! http://www.dr.loudness-war.info/
http://www.amazon.co.uk/gp/richpub/l...606506-5721503.
SB Touch
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2007-10-03, 03:01 #58Senior Member
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Did anyone see the "famous" Linn demo where they had a guy in a room playing a guitar and singing and then they switched between him live and a recording of the same guy in the same room playing the same song via their top-end (!) system?
It was shown on TV in the UK. Obviously you couldn't tell from the TV sound what was going on but the point was made that it was very convincing.
I'd love to have heard that for myself. Pity they didn't DBT it
)
You want to see the signal path BEFORE it gets onto a CD/vinyl...it ain't what you'd call minimal...
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2007-10-03, 07:45 #59
16/44 vs. 24/96 Format Comparison
darrenyeats wrote:
> That might be true but the reason is not necessarily red book.
RedBook can sound amazing. For proof, go to the Royer Microphone site,
and order their $4 sample CD. Its amazing.
> Both were
> recordings of live performances, and I know in at least one case the
> recording technique was very simple.
Recording good musicians in a good room with Blumlien techniques
requires just two quality mikes. I have two matched AEA R84 ribbon mics
that sound fabulous. I've also got a set of matched Neumanns.
Simple is the easy way to get fabulous recordings, but it requires the
more from the musicians, and you can't fix it in the mix.
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2007-10-03, 08:15 #60Senior Member
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Money quote from this forum IMO. Science has been scientifically proven to be wrong. But if it was proven scientifically, then maybe it wasn't proven after all and science isn't wrong. But then...
DBT has limitations, sure--the results are truly valid only for the tested environment and test subject. If the environment is wonky or the subject pool is nonrepresentative, then DBT results cannot be extrapolated to apply to the real world. But that's why information on methodology is included in the published results, so that people can pick it apart and point out problems, and the test can be re-run correctly. That's the science part of DBT--it's self-correcting.
Or are you saying DBT doesn't work on dogs and bats because science stops working at 20KHz?


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