So, here's the thing: I am only interested in the Transporter for analog output.
My question is, knowing what little we do know about the Transporter, and knowing that the Lavry (which I have tried) consistently beats out the DAC1 in shoot-outs (see link in the Lavry forum), what might the difference be between the two? That is, between the SB3->Lavry and the Transporter? The SB3 is quite good enough for a high end review as a transport in Stereophile...therefore, the only real issue is the DAC.
From what we know, what can we tell? Lavry has years and years of experience developing high end and professional DACs. They are at the top of the game. Can Slim Devices actually trump them? Input from all welcome.
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2006-09-13, 13:03 #1Senior Member
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Transporter vs. Lavry et al for analog output
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2006-09-13, 14:38 #2Senior Member
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It is not that cut-and-dried. JA finally says he is using it for background listening. Also, note the jitter at 300ps.
Even with my Panny receiver (vs a Philips 963sa dvd player as transport)I was not happy with the sound, I ordered a modded Elpac power supply from boldercables. The sound is surely better. waiting for the black gate capacitors in the power supply to take its time to stabilize. Will post my detailed impression after 2 weeks or so.
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2006-09-13, 15:54 #3Senior Member
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Actually, isn't the sp/dif jitter of the SB3 around 80 or so? shouldn't matter, though, because the Lavry completely buffers and re-clocks the incoming signal. So much for jitter.
JA didn't say quite that. He said they were virtually indistinguishable and that he uses the other transport for the most critical listening. I think some of this is psychological. From the article: "Even when I am listening seriously, I have to strain to hear that difference (as long as I'm not listening to lossy-compressed files" .But, again, if the DAC buffers and re-clocks, you've done away with jitter and, in theory, all transports are the same. It's about the DAC.
Last edited by highdudgeon; 2006-09-13 at 17:11.
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2006-09-13, 16:47 #4Senior Member
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I just read up on the Lavry, it is quite possible it is immune to transport jitter. The idea seems to be the same as the Genesis Digital Lens (put data into memory buffer and clock it out), which is supposedly a very good jitter reduction device.
In that case, a SB3 and a Lavry might be your ticket to audiophile nirvana (atleast as far as digital source).
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2006-09-13, 17:12 #5Senior Member
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Alas, the problem then becomes one of attenuation. The Lavry has a range of 0-56 for volume control. It is analog. They recommend 40, which seems high, for use with domestic audio products.
Okay, I've tried it in the past, and it was okay. However, it means using the SB3 volume at far from maxed out.
Problems?
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2006-09-15, 04:01 #6Senior Member
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Huh? I use a Lavry DA-10 with my SB3. I locked the digital out on full, disabled the analog out and use the output level of the DA-10 as the volume control. I set my amp gains with the DA-10 output on 55. If I want it loud 40-45 is usually about right. For normal listening, 25-30 is good.
-Ben
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2006-09-27, 09:46 #7Junior Member
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Well, it is not quite that simple. Error handling in the transport plays a role, as does how the jitter is being done away with.
If you rip your CDs with something like CD Paranoia you are getting the best error correction available - better than what a CD player is going to give you.
There are a couple at least different ways of getting rid of jitter - one is to asyncronously resample and upsample the digital data. This eliminated jitter but maps the jitter into noise. This is what the Benchmark DAC1 does. The Lavry Black in Crystal mode buffers and reclocks with no upsampling - this is a superior method.
So a Squeezebox combined with a Lavry Black is a very potent combination indeed. In my listening to the Lavry using headphones it seems to me that the SB/Lavry is exposing the limits of the recording and the headphones, period. The SB/Lavry is performing at a level much higher than the other components I am using. No matter what I have tried to date.
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2006-09-27, 10:41 #8
Transporter vs. Lavry et al for analogoutput
Same problem here. I want to add a SB to my main system, and get an external
dac like the Lavry or maybe one of those Chines Dacs (Lite maybe?). But the
Transporter looks sooo nice, but would it make sense to spend the extra
money on that? And maybe somebody will build a dac with the AK4396?
Decisions, decisions...
jan
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2006-09-27, 11:55 #9Senior Member
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a related question, hopefully I'm not derailing the thread too much....
I use the SB3's digital out to an AudioNote DAC 1 (non-OS). How do I know if this DAC is doing anything similar to what the Lavry does to eliminate jitter? I like the sound of this combination very much, but as always if there's something I can do to improve on it - short of the 2k required to upgrade to the Trans - I'm game.
In a recent a/b between the AN DAC and the Benchmark DAC1, everyone present decisively preferred the AN. To me it just had a much more engaging, musical, natural presentation. So I'd like to try to keep it.
Would the Bolder digital mods, plus the upgraded Elpac p/s, plus say a Digital Lens put me in the same or better territory than a Transporter? I guess, part of what I'm asking is, is it worth using the Lens to clean up jitter if the DAC itself is just going to re-introduce it's own at a level comparable to a digital- and p/s- modded SB3?
Hmmm, any case, let's see $$ how that adds up in comparison anyways:
SB3 - 300
Bolder mods - 275
Elpac w/mods - 110
Lens - 450
Still a bit cheaper than a Trans, but not by a ton.
Have never tried the Lavry, but if that coupled to a the SB3 both eliminates the jitter issue and sounds as good / better than the AN, it would seem an excellent alternative as well.
So, which to choose? Trans, Bolder mods + Lens, or replace AN with a Lavry?
Wouldn't it be cool to be able to do a shoot-out between the three systems?Last edited by joncourage; 2006-09-27 at 12:00.
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2006-09-27, 12:32 #10Senior Member
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Don't bother with the Digital Lens...
I just sold a Digital Lens because it wouldn't work with the SB3 at 48kHz. Of the 4 relevant PCM resolutions supported by the SB3 (44.1/16, 44.1/24, 48/16, and 48/24), only 44.1/16 worked with my Digital Lens. Oddly enough, the Lens did work with a 48/16 stream from my DVD player.
I was considering a Transporter and have settled instead on a SB3 plus an Apogee Big Ben feeding my TacT gear. Conceptually, this is at least as good as a Transporter, and there's no need to mod the SB3 at all.
If you're considering a Lavry, it's also supposed to be insensitive to the input device, so you wouldn't need SB3 mods either in that case.
So, the options as I see it are:
1) Transporter ($2000)
2) SB3 + Big Ben ($300 + $1200) = $1500 (no mods needed)
3) SB3 + Lavry ($300 + $850) = $1150 (no mods needed)
If you need analog outs, it looks like the Lavry is the best bet.
The big difference between these options is that the Transporter supports 96kHz media, the SB3 doesn't.
Personally, I'm now waiting for a SB4 that does support 96kHz. I think I'll buy a Transporter remote to tide me over...
Regards,
KimLast edited by krochat; 2006-09-27 at 12:35.

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